


Around the sleeping bodies, some presences occupy the architecture and move around the space in obscure activities: nothing of their actions is visible to us, except in the fragments in which the image shows itself under the flashlight. Monelle is a circular film without any narrative or hierarchy, without a beginning or an end, and it circumscribes a place of promiscuity and ambiguity between the different formats used—35mm and CGI animation—and the approaches of two opposites film attitudes—the structural cinema and the horror genre.

Prelude 14
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The Experimental Image World of Shuji Terayama
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Narcissicon
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No. 10: Mirror Animations
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The Films of Kenneth Anger: Volume One
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The Films of Kenneth Anger: Volume Two
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Endless
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